LAS VEGAS, Nevada – In addition to its recently
launched digital automatic microphone mixing units, DMM6 and DMM12, HARMAN’s
AKG announces its DMM12 BC at NAB 2013.
The 12-input mixer’s highly sophisticated algorithm offers a high
signal-to-noise ratio to minimize the number of open microphones in a mix and
offers the ability to create a different mix per each output.
The DMM12 BC unit is scalable up to 10 units and each
unit’s inputs are individually routable to numerous outputs - two stereo line
outs, one stereo record output and an AES-EBU output. The professional-grade
unit offers numerous DSP functions included in the 19-inch, 1HU device.
Managing level, bass, low cut, limiter, compressor, auto-mixing,
priority, pam/balance, routing to receiver, routing to output 1, routing to
output 2 and delay adjustments can be made quickly with the intuitive, easy-to-use
interface.
“With DMM12 BC installed in a broadcast facility, managers
have easy control over audio functions – similar to users with an analogue
device, but with all of the advantages of digital,” stated Thomas Giczy,
Business Development Manager, Installed Sound, AKG. “The DMM series will be a
substantial addition to any broadcast or backroom installed sound rig as its
quality, reliability and user-friendliness meet the needs of the mixing
professional on numerous levels.”
When in use, all inputs are active, but attenuated to
a level that equals the level of one “active microphone.” If one or more inputs receive relevant input signals,
their amplification is increased to a level, which allows overall output to
equal one “active microphone,” resulting in an absolute feedback-stable
system.
Working to deter noise pickup, the DMM series senses
numerous sonic activities to monitor and diminish unwanted sound. If a signal is picked up over a long period
of time, the mixers understand that it may be an air conditioning unit or other
unavoidable noise. When a large number of
microphones pick up the same signal and all mics are active, the DMM system
will recognize applause and not react.
When two microphones are receiving the same signal, the mic with the
slightly higher level gets priority, while the other one is attenuated.
For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.
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