HEMPSTEAD, New York — Hofstra
University is Long Island, New York’s largest private college, offering a broad
range of liberal arts and sciences, education, health sciences, law and other
courses with full accreditation in 19 academic areas. When the Hofstra
University School of Communication finally needed to replace the analog
broadcast production consoles in its two TV studios, it chose HARMAN’s
Soundcraft Si Compact 32.
“We’d
been living with two analog consoles for 25 years!” noted Joseph J. Valerio,
Chief Video Engineer. “We were ready for a serious upgrade to our studios. As
part of a complete rebuild, we took our time to explore all console
technologies and manufacturers and the choice came down to another brand and
Soundcraft. We compared them neck and neck at NAB and at a dealer demonstration
and the vote was for the Soundcraft Si Compact 32.”
Hofstra’s
consoles have 32 mono inputs, though these can be grouped to stereo by linking
faders, and two additional stereo line inputs for a total of 36 inputs. The Si
Compact 32 also has an AES input and 16 outputs plus an AES out. “Although the
board is the smallest in the line of Soundcraft ‘smart’ consoles, it’s the
largest model of the Si Compact Si range and has proven to be just right for
our needs,” Valerio said.
“We
recently used the Si Compact 32 for a very large production in our main studio
that involved a band, live audience, a mix for television and the web and a mix
for stage monitors,” Valerio continued. “For the first time there was no longer
a need for an external console in the studio to mix the band, as we had done in
the past. The Soundcraft handles all these mixes at the same time.”
Valerio
finds that the Si Compact 32 is well suited for an educational environment.
“The students, with some basic training, essentially programmed the
configurations and handled all the mixes themselves with no problems,” he said.
“One of the students specializing in audio production was glad to see we’d
installed this console as he had worked with it at various venues and knew its
capabilities.”
“The
operating surface has a good clean layout with plenty of indicators to assist
the person using the console,” Valerio said. “A simple mix is easy to set up,
but so are highly complex mix-minus feeds, mono feeds and groups of busses. You
can get very complicated if you need to or want to. Also, the onboard effects
are wonderful especially considering they’re genuine Lexicon effects. If you
want to, external effects are easily connected—we have a vintage compressor and
effects unit.”
“I
want to put in a word about the optional Compact Stagebox: outstanding,”
Valerio continued. “We connect it with Cat5e cabling to run MADI audio to the
board. You can get up to 32 ins and 16 outs although in practice we need some
in the control room for monitor functions. The setup was literally plug and
play; no fancy tricks needed to be done other than basic board mapping of
inputs and outputs.”
“The
sound quality is invisible, pristine.” Valerio concluded. “Overall for the
money this board is astoundingly powerful and easy to use–a winner.”
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