The festival brought together 70 artists over the four days and the crowds were treated to non-stop energy and high quality sound delivered by a JBL VTX system throughout. The sound design was in the capable hands of Décisions Acoustiques, who also exercised environmental control across the five stages, maintaining coherence and consistency throughout. The system was sold through French distributor SCV.
Under the expertise of Guillaume Reilbell, who calibrated the sound on the two large stages, and Wilfried Mautret, who was responsible for the other three, a total of 108 JBL VTX V25-II line array elements were deployed, along with 84 flown VTX S28 subwoofers.
A further 14 JBL VRX932LA Constant Curvature loudspeakers were used as stage fills—and the entire system was powered by a combination of 14 Crown VRack systems housing I-Tech 12000HD amplifiers, and 24 VRack systems housing I-Tech 4x3500HD amps.
The 80 instrumental source inputs required for the opening electro performance, along with the classical orchestra, were managed and mixed in a Soundcraft Vi6 digital console. Also within the HARMAN stable, a large number of AKG’s classic C414 condenser microphones were used by artists, who included Jeff Mills, Derrick May, Nina Kraviz, Ricardo Villalobos, Lil Louis, Robert Hood, Ben Klock, Marcel Dettmann, DVS1 and many more.
Summarizing the event, Florian Pancrazi, partner in Décisions Acoustiques, outlined the challenges. “With five stages assembled on the same site we had to design sound reinforcement systems that would not bleed or interfere with the other zones, while maintaining effective low frequency sound that is essential to electro music programming,” he said. “We decided to use the same setup right across the board to maintain consistency for an audience that was travelling between the different stages.”
“Once again we chose the VTX V25-II systems, which had more than satisfied requirements at the previous edition, allowing us to achieve perfect optimization in each case, through specific presets which were easily managed in JBL HiQnet Performance Manager™ software,” Pancrazi continued. “On the two large stages we hung the subwoofers in cardioid formation behind the V25-IIs. This resulted in a consistent performance, containing the sound and preventing spillage onto adjacent stages while at the same time limiting sound propagation to neighboring homes to the maximum.”
HARMAN (harman.com) designs and engineers connected products and solutions for consumers, automakers, and enterprises worldwide, including audio, visual and infotainment systems; enterprise automation solutions; and software services. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, Mark Levinson ® and Revel®, HARMAN is admired by audiophiles, musicians and the entertainment venues where they perform around the world. HARMAN also is a technology and integration services leader for the Automotive, Mobile, Telecommunications and Enterprise markets. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. The Company’s software solutions power billions of mobile devices and systems that are connected, integrated, personalized, adaptive and secure across all platforms, from the work and home to car and mobile. HARMAN has a workforce of approximately 25,000 people across the Americas, Europe, and Asia and reported sales of $5.9 billion during the last 12 months ended March 31, 2015.
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