Two
weeks into Robbie Williams’, Swings
Both Ways Tour, some of the lighting
crew members from NEG EARTH
talked about their jobs, their lives and their experience of touring and working
behind the scenes on a major production with HARMAN’s Martin Professional.
Lighting
Electrician, Peter ‘Kiss’ Horne and Lighting Technicians, Davide Palumbi, Mike
Maslen and Alessandro Schillaci gave some insight on the behind the scenes.
Different circumstances got them to where they are today. Davide had done a bit
of lighting in his native Italy, fell in love with a Brit and came over to the
UK and applied to work for NEG EARTH. Kiss was originally supposed to study
civil engineering, but got involved with the stage crew at his university.
Alessandro, also an Italian, and Australian Mike both worked with local crews
in their home countries and both aspired to eventually work for NEG EARTH, as
NEG EARTH is known for working with the very best equipment.
To
see people enjoying themselves and to have a show that runs without any
problems is a nice bonus, but to the crew a good day is when nothing goes wrong
and no one gets hurt. “That being said, NEG EARTH is one of the best companies
in the business and we always do our best to ensure optimal safety and
performance,” Schillaci added.
As
opposed to a lighting designer, this crew’s primary concern is not the
brightness, output or color-mixing of a fixture. They are more preoccupied with
the physical characteristics of a fixture. “When I’m faced with a new fixture,
initially I’m interested in two things,” said Kiss. “How much does it weigh and
will I be able to lift it? I’ll grab the handles and if I’m able to pick it up
easily, I like it.”
Another
crucial point for the crew is the reliability of a fixture. When they have
finished loading, they don’t want to be spending all afternoon fixing broken
fixtures. “There’s very rarely any issues with the MAC Quantum,” explained
Maslen. “When we do have to make repairs, they are easy to fix, easy to get to,
easy to service and easy to replace. Basically, Martin fixtures and
particularly the MAC Quantum Wash makes our lives simpler.”
Although
the quality of light is not the crew’s priority, they are able to appreciate
the MAC Quantum for it’s sublime lighting qualities. Compared to older LED
fixtures, where the individual RGBs were visible, the front of the Quantum
looks nice with its converged light source.
Also,
when asked what lighting added to a performance, all were in agreement that
lighting played a huge role in major productions such as the Robbie Williams
tour. “Without lighting, it’s just a performance. Add lighting to the equation
and then it becomes a show,” Kiss stated.
Life
on the road is not for the faint-hearted. It can be tough to be away from
family and loved ones for long periods of time. “To thrive in this job, it is
very important to have good people around you; to feel part of a family,” said
Schillaci. There isn’t much privacy with 12-16 people on a tour bus, and so it
is imperative with mutual respect and an understanding of each other’s
boundaries and that there’s room for individuality and personal quirks and
traits.
There’s
a real sense of team spirit among the crew and most of them go way back. The
lighting crew and half the video crew have been working together since 2009
when they were on tour with Muse, then with Take That, then with Muse again and
now with Robbie Williams. So when started it didn’t take long before everything
was running like a well-oiled machine, before everyone had found their place
and work routines were fully optimized.
When
asked what the crew’s best piece of advice would be to people wanting to get
into the industry, their answers were unanimous: get a degree first, so you
have something to fall back on. As they explained it, chances are that touring
life won’t suit a person forever. But then again, some people can’t stay away
from it once they’ve had a taste. Some people even swear that they would jump
at the chance to stop touring but at the end of the day, touring becomes a way
of life. “I must say that none of us think of ourselves as stars - we’re just
the crew behind the backdrop,” concluded Kiss.
As a world leader in the
creation of dynamic lighting solutions for the entertainment, architectural,
and commercial sectors, Martin lighting and video systems are renowned the
world over. Martin also offers a range of advanced lighting controllers and
media servers, as well as a complete line of smoke machines as a complement to
intelligent lighting. Martin operates the industry’s most complete and capable
distributor network with local partners in nearly 100 countries. Founded in
1987 and based in Aarhus, Denmark, Martin is the lighting division of global
infotainment and audio company HARMAN International Industries. For more
information please visit: http://www.martin.com.
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