POTTERS BAR, United
Kingdom — Whether it’s a
hotel, cruise ship, large boardroom or school, the new Si Performer from
HARMAN’s Soundcraft enables technical directors to dramatically improve
performance and efficiency while saving money for the facility. The first
mixing console ever to combine audio and DMX lighting control, the Si Performer
enables one operator to handle multiple functions from a single desk that is
the same size—and price—as a small audio console.
It takes
something completely different to make a digital audio console appeal to people
from outside the audio domain, but this console does exactly that by adding
lighting control options to excellent sound, with an easy and intuitive user
interface and clever design.
“There are a
variety of markets—including hospitality, corporate and education—where the
businesses or schools often rely on a single person to handle all of its
technical operations, including sound and lighting,” said Keith Watson,
Marketing Director, Mixing, HARMAN Professional. “The Si Performer’s
integration of audio and lighting into a single console not only saves money
and space, but it also makes that operator’s responsibilities significantly
more manageable on a single user-interface, reducing space, cabling and cost.”
The Si
Performer has an input capacity of 80 audio inputs to mix on all models. The
built-in I/O does not disappoint: Si Performer 2 with 24 mic and eight line
inputs, and the Si Performer 3 with 32 mic and eight line inputs, plus the four
FX return channels. The provision of two option card slots allows I/O expansion
via any of the Soundcraft stageboxes and option cards from the Soundcraft ViSi
Connect range, giving the possibility of patching up to 80 inputs to mix, or
from CobraNet, AVIOM or AES inputs via the appropriate cards.
The unique
integration of a DMX512 port offers core lighting control. The first release of
software provides four scene masters (A-D) with associated slave channels on
the ALT fader layers, individual colour intensities or parameters are set on
the slave faders with an overall master level fader, which itself may be
assigned to any of the main fader layers for simultaneous access to audio and
lighting levels. To automate the process, DMX settings may be stored alongside
audio settings in the snapshot system, so both may be recalled automatically by
a single button press or via an external MIDI command. With selective isolation,
snapshots with just audio or lighting parameter changes may be recalled.
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