AKG Showcase Architectural Microphone Shaped Sound Series at IBC

Based acoustically on the classic AKG Blue Line Series, the Architectural Microphone Series (AMS) is representing itself to be the latest must-have in microphones. With a new wave of customizable possibilities in microphones, the AMS guarantees that conference rooms will never be the same again.

The AMS series allows users to customize the microphone by easily adjusting the length of the gooseneck module as well as selecting various designs for the shape of the capsule housing unit. The self-designed microphone can be personalized with any color as well as a shiny gold, chrome or a cool nickel finish for professional settings. In total, the entire microphone series are available in more than 6,840 customizable settings.

Premium studio microphones, like the AMS, are characterized by a very flat frequency response, low self-noise and a consistent polar pattern. Three precision transducers make up the series, all with different polar patterns, including a cardioid, an omni-directional and a hyper-cardioid.

Beside the 3 different polar patterns to match different room acoustics, the AMS showcases a diverse range of capabilities, such as flat frequency response for acoustic performance, gold sputtered ultra-low mass diaphragms, switchable bass cut filter and preattenuation pad. The series also offers an extremely high resistance to RF interference for extended versatility.

Adding on to the extraordinary attributes of the AMS, the mics are equipped with a bayonet coupling system with self-cleaning contacts. The Blue Line bayonet coupling system enables the capsules to be easily change.

With the installation of any of the microphones in the AMS, different mounting modules are available, including a wide range of specialized mounting accessories specifically dedicated to making the installation easy and bringing the microphone into place. Blended rubber material and high mechanical damping in the shock mounts help to eliminate any mechanical vibrations.
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