Lotwis has been using Lexicon since 1984 and first started working with classic Lexicon products like the PCM 60, PCM 70, 224XL, 480L, LXP-1 and LXP-5 when studying at the Berklee College of Music. After graduation, Lotwis performed as a professional musician, started his own production studio, produced independent records for Boston-area artists and taught music at Harvard University – all the while gaining experience with Lexicon up to his current use of the PCM Native Reverb Plug-In Bundle. When it came time to go Hollywood, Lexicon followed.
“I like the dense, rich texture of the Lexicon reverbs; they’re just so natural and realistic,” said Lotwis. “In particular, the decay of the reverb tails are flawless, and you can adjust the length of the decay to be exactly what you need when you set the scene, from a short, almost gated clip to that beautiful, lush kind of reverb tail that seems to extend forever.”
Lotwis knows that in filmmaking, the image is only half the story. The soundtrack is an equal part of creating an immersive moviegoing experience, whether it’s a whisper of dialogue, a subtle musical background or a wall-shaking action sequence. In today’s workstation-centric production environment, Lotwis finds that the PCM Native Reverb gives him not only the flavor of reverb to complement any type of music, dialog or effects – from Plate, Vintage Plate and Chamber to Hall, Room Random Hall and Concert Hall – but the ability to precisely dial in and tweak any sonic parameter, save any setting and recall it for later use. “In a fast-paced production environment where we have to constantly change cues and timings and sometimes have to make hundreds of revisions, the ability to recall any setting instantaneously is a major advantage compared to the way I had to work even a few years ago.”
“If you want to hear how good the PCM Native Reverb sounds, just listen to one of my recent or not-so-recent film projects,” he notes. “I’ve been using it for a few years now and wouldn’t think of doing a soundtrack without it.” It seems that filmmakers, directors and others would agree.
“Stephen’s reputation precedes him as one of the leading feature film music editors in Hollywood. While his work has taken him from recording to film and east coast to west coast he has developed as a professional with Lexicon as a constant throughout his career,” stated Jason Kunz, Market Manager, Portable PA and Recording & Broadcast for HARMAN Signal Processing.
HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.
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