Pick Of The Hits - dbx 160SL Compressor/Limiter in Pro Audio Review

Pick Of The Hits - JBL CBT Series Compact Line Array in Pro Audio Review

ESCO Communications Enhances Expo Center at the Allen County War Memorial Coliseum With HARMAN JBL Loudspeaker System

From serving as a standard convention hall to hosting concerts and events as extreme as midget car races, the Expo Center at the Allen County War Memorial Coliseum in Fort Wayne, Indiana, relied on ESCO Communications to install a sound system to easily accommodate sound requirements for the immense variety of events at the venue. Designed by Kansas-City based Acoustical Design Group (ADG), the system at the 108,000-square-foot Expo Center features a wealth of JBL VP Series loudspeakers.

Working to design an impactful sound system, ADG had to ensure the entire hall, as well as each individual section, would perform flawlessly. An assortment of 116 JBL VP7215 powered loudspeakers are suspended from the ceiling and fed via a Soundweb London system consisting of BLU-160 and BLU-120 processors.

“We wanted a system that could offer traditional conventions and tradeshows perfect sound and also cater to the unique events the center books throughout the year,” stated Ian Wolfe, Vice President of ADG. “The JBL loudspeakers were the best solution to match our recommendations for the renovations. The price and performance of the powered speaker line, combined with the high-caliber quality of the BSS equipment contributed to a completely successful install and solution.”

The JBL system replaces the entire original speaker system in the halls, utilizing the same locations to blend with the lighting elements. “The loudspeakers allowed us to keep the same visual aspects as before, but offer a completely new and improved system,” continued Wolfe.

While discussing multiple solutions for the Center, passive loudspeaker systems were considered. However, ADG recommended a powered system to provide the best performance for any show or convention in the space. “Not only does the JBL equipment provide great sound for all events, the JBL team was very helpful in ensuring ADG and ESCO finely tuned the system for the perfect fit,” said Wolfe.

For more information on Acoustical Design Group, please visit http://www.adgkc.com. For more information on ESCO Communications, visit http://www.escocomm.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.

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JBL LSR Series Studio Monitors Are Designed to Deliver Accurate, High-Resolution Sound In Less-Than-Ideal Broadcast Environments

In an ideal world, broadcast control rooms would have perfect acoustics. In the real world, however, production rooms in facilities and trucks have acoustic irregularities, especially when it comes to bass behavior. JBL LSR Series studio monitors are designed to give more accurate performance in problematic rooms. LSR models incorporate technologies including JBL’s exclusive RMC™ Room Mode Correction to deliver smoother, flatter frequency response and enable greater accuracy and better mixes in any workspace.

JBL offers a complete line of LSR6300, LSR4300 and LSR2300 Series studio monitors and subwoofers, along with the MSC1 Monitor System Controller that offers features found in the monitor sections of professional mixing consoles, and tunes any speakers for greater accuracy in problematic rooms. JBL LSR Series loudspeakers and the MSC1 are on exhibit at NAB 2011 at the Las Vegas Convention Center, Booth C2619, Las Vegas, Nevada (April 11 – 14, 2011).

At the mix position, as great as 60% of the mid and high frequency sound is reflected sound. LSR Linear Spatial Reference design ensures not just the direct sound from the speaker, but the speaker’s off-axis reflected sound, is neutral for greater mid and high frequency accuracy at the mix position in a broad range of acoustic environments.

A second technology, JBL RMC™ tackles the room’s low frequency problems. In production control rooms, variations in low frequency response caused by room modes and speaker placement can produce exaggerated bass response that can mislead audio engineers. JBL’s RMC Room Mode Correction technology compensates for low frequency irregularities with a system that measures the room’s frequency response and applies corrective filters. All three JBL studio monitor lines offer an RMC solution. While the JBL LSR4300 series and two of the LSR6300 series models include RMC technology in the speaker, JBL’s MSC1 Monitor System Controller with RMC technology can be used with the affordable LSR2300 series studio monitors or any speaker system.

Leading Technologies SRL Equips Radio Toscana With Second HARMAN Studer OnAir 2500

Radio Toscana, the Adult Contemporary regional music station, has taken delivery of a second HARMAN Studer OnAir 2500 digital console. The order for the all-in-one desk was placed with Leading Technologies SRL (formerly A&DT/APG), who has worked closely with the Florence-based station (which looks out at the famous Duomo) over the past decade.

The network, which already boasts Soundcraft RM105 and Series 15 desks, carried out a studio upgrade in 2009 with the conversion to complete digital transmission carried out by studio concept specialists, Acoustic Design. As part of that fit-out Radio Toscana purchased its first OnAir 2500, but with the recent building of a second dedicated room, an additional 12-fader OnAir 2500 was installed.

“The first time around Radio Toscana evaluated the console for quality — and also for distributor support,” explained Leading Technologies’ sales specialist, Fiore Confuorto. “They really liked the all-in-one and compact structure of the OnAir 2500, the excellent quality of the desk and general features. The second time around the decision was automatic. Radio Toscana are very good clients who love our product and are completely satisfied with the support they receive from Leading Technologies.”

Designed for ease of use, the OnAir 2500 utilizes software technology derived from the OnAir 3000 console while building on the operational concepts of its successful predecessor, the OnAir 2000. Totally self-contained, the control surface, I/O breakout, DSP Core and power supply are all integrated within a single compact chassis.

The fader strips include a graphical OLED screen, providing a much wider viewing angle than LCDs and greater definition, while the large TFT color touch screen uses Studer’s patented Touch’n’Action system, where only the most important functions have hardware control elements in the channel strip — making the operation of the console very simple and stress-free.

Highly flexible, the OnAir 2500 provides the user with a large number of inputs and outputs in many standard signal formats and comes in three standard configurations.

Signal feeds are brought into Radio Toscana by Sonifex digital telephone hybrid, supported by Mayah ISDN, IP, UMTS protocol codec for external live transmission.

The latest OnAir 2500 will be used for recording and post production while doubling as a back-up desk — and if necessary it will be used for other broadcast transmission. Full technical support for the consoles will be provided by Leading Technologies.

Radio Toscana technical chief, Jonathan Mensi states, “The OnAir 2500 is very user-friendly and simple to operate. In particular I like the flexible routing structure and the ability to save different surface and I/O configurations. It's almost like I have multiple mixing systems available to me.”

Part of the InBlu Catholic radio syndication network, which has around 200 members, the radio station also has local bases throughout the Tuscany region.

The two OnAir 2500’s will maintain consistent workflow and help the station continue to serve up a rich mix of adult news and entertainment through the region.

For more information on Leading Technologies, please visit http://www.leadtingtech.it.

HARMAN’s Studer Vista 5 Digital Console Gains New TFT Metering and Upgrades

Studer’s popular Vista 5 console gets an upgrade to the M2 with the optional addition of the precision TFT metering system introduced on the flagship Vista 9 console.

The new metering is capable of displaying signal levels from mono through to 5.1 channels on each input, with a configurable lower area which can be used to display bus assignments, surround images or the unique History mode, where a scrolling audio waveform displays signal anomalies and highlights them for up to 50 seconds to allow the engineer to identify where the event occurred. Metering for ‘layer 2’ signals can also be viewed, while the Control Bay screen can be used to provide configurable user pages with up to 40 meters.

When the TFT meter bridge is fitted, the external GC screen becomes an integral part of the chassis.

The Vista 5 M2 is based on the well known and widely praised Vista 5 console, which has found its home in all kinds of broadcast and theater production facilities around the world, and existing Vista 5 owners will be pleased to learn that their console may be easily upgraded to the M2 version to be ready for the optional meter bridge, which is a simple add-on to the console chassis.

Available in two frame sizes, 32 and 42 fader, the Vista 5 M2 brings precision signal monitoring to an already versatile and highly-regarded console.

HARMAN’s New C544 L Headset Microphone By AKG Combines Clear, Sensitive Response With Comfortable, Convenient Design For Head-Worn Miking Applications

In an introduction that couples the company’s studio-proven audio performance with a rugged, comfortable and easy-to-use design, HARMAN’s AKG launches the C 544 L head-worn microphone. The new microphone is ergonomically optimized with a behind-the-neck headband to provide maximum comfort and comes with an external shock mount for high mechanical-noise reduction and a flexible frequency response to ensure optimum audio and intelligibility even in the most noisy of environments.

The C 544 L head-worn microphone is designed for sporting applications like aerobics instruction and gymnastics trainers etc., amplified presentations or on stage vocal performance. The cheek pad allows it to stay in place even if the users head is turned abruptly, and the capsule shock mount reduces handling noise to a minimum. There is a new moisture shield that prevents perspiration from penetrating into the transducer as well as other additional design features that provide optimum protection from moisture and sweat. C 544 L comes with an optimized frequency response for speech and vocals, features that ensure the headset carries on AKG’s proven heritage of superior audio performance.

“The new C 544 L head-worn microphone from HARMAN’s AKG provides the user with a fully functional system that is consistently reliable, even under the various stresses associated with high-energy performance,” commented Thomas Umbauer, product marketing manager PPA, AKG. “It’s the perfect solution for anyone who is going to be in constant motion and in need of a flexible design and intelligible audio. It’s extremely affordable, as well.”

Other features on the microphone include a mini XLR connector that allow the microphone to work with AKG’s efficient B 29 L battery operated power supply and a MPA III L external phantom power adapter. There is also a variant that conforms with AKG’s WMS bodypack transmitters, which employ AKG’s smart-battery power and re-chargeable technology for the most efficient use of energy available.

For more information, please visit http://www.akg.com. 

HARMAN’S BSS Audio® Releases HiQnet London Architect™ Version 3.06

HARMAN’S BSS Audio today introduced control and monitoring for additional Crown amplifiers with the release of HiQnet London Architect™ v3.06.  This latest release of the popular configuration, control and monitoring software for the Soundweb™ London family of networked signal processors now provides control and monitoring for select parameters of the Crown CTs 4200/8200, Macro-Tech i,and CTs amplifiers with USP4-CN PIP Module.

HARMAN HiQnet™, the connectivity and control protocol, has long facilitated tight integration between BSS Audio and Crown networked system components. The latest additions within HiQnet London Architect v3.06 complement existing support of the Crown PIP modules and complete support for control and monitoring of the CTs family of amplifiers.

Iain Gregory, Market Manager for Installed Sound at HARMAN Signal Processing stated, “The inclusion of the Crown PIP modules within HiQnet London Architect was originally a demonstration of the simple and straightforward integration of HARMAN networked system components, facilitated through the use of a common connectivity and control protocol, HARMAN HiQnet.”

In fact, the time- and cost-saving benefits realized through this demonstration of integration within larger Soundweb London installations were so significant that contractors and system integrators have frequently asked BSS Audio if similar support could be provided for newer system components from the Crown amplifier family.

Marc Kellom, Marketing Director for Crown stated “HARMAN has deployed more networked audio nodes than anyone in the business, and integrating additional Crown networked amplifiers into the London Architect software platform makes perfect sense – it gives our customers even more flexibility in how they approach audio system designs.”

The Soundweb London family of signal processors and Crown amplifiers provide the building blocks of the perfectly tailored system solution.

HARMAN’S Crown Audio Enhances Class-Leading Value and Performance, With XTi 2 Series Amplifiers For Portable PA

Resetting the standards for portable sound amplification, HARMAN’s Crown Audio today introduced the XTi 2 Series of amplifiers. Offering increased control, an enhanced feature set and a sleeker design, the XTi 2 Series amplifiers bring together features and performance never before available in an amplifier designed for portable PA applications. Providing a complete suite of integrated speaker processing, the new XTi amplifiers eliminate the need for external crossovers, limiters, and EQs, immediately saving rack space and money.

The XTi 2 features enhanced control with Crown’s revolutionary PeakX Plus™ limiters. The limiters are derived from the same framework as those found in I-Tech HD and the new XLS DriveCore Series amplifiers allowing users to manipulate threshold, attack and release times. A new and improved subharmonic synthesizer offers more accurate control over which frequencies are targeted and can be tailored for a specific system or room setup.

Offering increased amplifier functionality, users now have Advanced Thermal Control giving them the ability to tailor the fan performance to their specific application. XTi 2 also increases the amount of presets a user can save and recall from 20 to 30. Enhancing power management, a new status section on the amplifier allows for the monitoring of power supply temperature and AC line voltage making troubleshooting even easier

“Crown’s proven reputation in the portable sound market for building amplifiers that provide the highest level of value and performance is unparalled. The new XTi 2 series pushes the industry threshold and redefines the feature set that users can and should come to expect from portable PA amplifiers,” stated Andy Flint, Marketing Manager for Crown.

XTi 2 amplifiers are also fully compatible with HiQnet™ Band Manager™ software.  The free-of-charge application provides a sleek redesigned function-driven interface, which has been re-skinned to simplify system setup and management while enabling audio professionals, musicians, and engineers to configure and control a rack of Crown XTi and now XTi 2 series amplifiers. 

The amplifiers now feature integrated rack handles and an enhanced cast front panel that is more durable. The XTi 2 1002, 2002, and 4002 weigh 18.5lbs and the XTi6002 weighs in at 24lbs with MAP prices ranging from $499-$1999.

HARMAN DigiTech Introduces Its First-Ever Guitar and Bass Amplifiers at Musikmesse 2011

Expanding into an entirely new product category, HARMAN DigiTech today announced the introduction of its first-ever guitar and bass amplifiers at Musikmesse 2011. Combining renowned DigiTech sound quality and tonal flexibility with outstanding value, the new DigiTech amplifier lineup includes five combo guitar amps, a combo bass amp and a 150-Watt tube head with 4 x 12 cabinet half-stack.

The DigiTech amplifier line includes the following:

•    TH-150 150 Watt all tube head and 4 x 12-inch speaker cabinet
•   
•    Classic-15GR 15 Watt, 2-channel combo guitar amp with reverb (8-inch speaker)

•    Classic-15G 15 Watt, 2-channel combo guitar amp (8-inch speaker)

•    Classic-15B 15 Watt combo bass amp (8-inch speaker)

•    Fusion 30XD 30 Watt, modeling combo guitar amp (12-inch speaker)

•    Fusion 75XD 75 Watt, modeling combo guitar amp (12-inch speaker)

•    Fusion 150XD 150 Watt, stereo modeling combo guitar amp (two 12-inch speakers)

“In creating our DigiTech amplifiers, we knew we had to offer something more than a ‘me too’ product line in a market already filled with amps,” stated, Rob Urry, vice president and general manager HARMAN Professional Signal Processing Group. “DigiTech has the unique advantage of decades of experience in creating many of the world’s most recognizable sounds, effects pedals and products, and we put all of that expertise into designing a full line of amplifiers that provide an exceptional range of tones.”

The TH-150 2-channel amp head is an all-out rock powerhouse that can deliver everything from warm clean tones to tight rhythm crunch and singing high-gain leads. Featuring an all tube prepamp and power amp section using five ECC33S’s tubes for the preamp and four KT88’s for the power amp, the TH-150 features switchable Normal and Overdrive preamp volume, Normal and Overdrive master volume, and Bass, Middle, Treble and Presence controls. The rear panel offers an effects loop, dual speaker outputs, a line output and a jack for the
channel-select footswitch.

The matching 4 x 12 cabinet features four 12-inch specially voiced Selenium® speakers to deliver maximum projection and punch with 400-watts power handling capability. The all-wood reinforced cabinet has a metal check mesh speaker grill, metal corners, recessed handles and removable casters.

The DigiTech Fusion 150XD Stereo, Fusion 75XD and Fusion 30XD combo amplifiers incorporate the company’s industry-standard modeling technology and effects including overdrive, distortion, reverb, delay, chorus and other mod-effects, Ideal for any musical style, the Fusion 150XD Stereo and 75XD offer 24 amp models, 37 total effects, a built-in 30-second looper and 20 presets (100 with optional Control 2 foot controller), while the Fusion 30XD includes 12 amp models, 12 effects and five presets (100 with optional Control 2 foot controller). All Fusion models feature a built-in chromatic tuner, an MP3/Aux input and a 1/4-inch headphones jack.  The 75XD and 150XD also add a USB port that lets users connect to a computer and edit the amp’s presets.

DigiTech’s Classic-15GR, 15G and 15B combo amps offer an outstanding combination of light weight, easy portability and superb sound, from rich clean tones to roaring distortion and everything in between. The Classic-15GR and 15G include Gain, Volume, Treble, Middle and Bass controls and a Clean/Overdrive switch, and the Classic-15B bass amp offers Volume, Treble, Middle and Bass, making it easy for players to create their favorite sounds. The Clssic-15GR also features a Spring Reverb that adds lush, ambient reverb. All Classic models also feature a 1/4” stereo headphones output for private listening.

The DigiTech guitar and bass amplifiers will begin shipping in Spring 2011.

HARMAN Showcases JBL Professional VERTEC® Subcompact Suspension Accessories at Prolight & Sound 2011

At Prolight & Sound 2011, HARMAN is introducing JBL Professional’s latest suspension hardware accessories for its VERTEC® subcompact line arrays.  The VERTEC hardware enables quick assembly of variable curvature vertical or modular constant-curvature horizontal line arrays. In addition to the standard VT4886-AF array frame for suspending up to 24 boxes, along with the VT4886-UB and –UB1 for supporting smaller groups of speakers, the line of equipment now includes the VT4886-SF Short Frame, the VT4886-HB Horizontal Bar, and VT4886-DF88 and VT4886-DF89 Downfill Frames.

The VERTEC Subcompact System is specifically designed to be one of the most versatile tools in a portable sound rental company’s inventory. Application flexibility also ensures VT4886 and VT4883 elements provide effective sound design tools for performance audio facility system designers.

“Since its launch a year ago, the VT4886 has quickly become known as an all-purpose type of loudspeaker with many different uses, from single standalone fill speakers to complex, mixed full-range and subwoofer arrays,” said Paul Bauman, Director of Tour Sound Product and Application Engineering, JBL Professional. “The introduction of these new suspension accessories will complement this speaker’s flexibility by opening up a world of new application possibilities from a sound design perspective. In many ways, the accessories ‘make the product’ for a loudspeaker as versatile as the VT4886.”

“The new suspension frames add a great deal of flexibility to these loudspeakers for system designers,” observed Eric Stahlhammer, a USA-based independent sound designer who frequently uses line array system for theatrical productions and corporate events worldwide. “I recently did a 6-box center array of VT4886’s using the new VT4886-HB. This let me easily plan and then execute a focused, overhead sound source in exactly the right position, to support presenters onstage at a global business conference.”

The VT4886-SF Short Frame suspends VT4886 arrays by coupling to existing integrated hardware on the VERTEC enclosures, and works well when limited space is available above or behind the array due to wall surfaces or venue obstructions. Weighing just 5.6 kg (12.8 lb), the machined- aluminum frame with receiver blocks is fitted with steel quick-release pins and restraining lanyards. A pullback point enables attachment to the bottom of an array to enable radical downward angles. The VT4886-HB Horizontal Bar can suspend up to six horizontally-oriented VT4886 line array elements, enabling the assembly of constant-coverage arrays that are useful for center fill and other applications.

The VT4886-DF88 and VT4886-DF89 Downfill Frames each support up to eight VT4886 subcompact line array elements. The VT4886-DF88 connects the elements beneath midsize VT4888 full-range or VT4882 subwoofer arrays, while the VT4886-DF89 suspends the elements beneath full-size VT4889/VT4889-1 full-range or VT4880/VT4880A subwoofer arrays.  The two strong, lightweight downfill frames weigh in at 11.3 kg (25 lb) and 13.4 kg (29.5 lb), respectively.

HARMAN Presents JBL Professional’s Most Impressive EON Loudspeaker Ever At Prolight & Sound 2011: The EON515XT

HARMAN is showing JBL Professional’s EON515XT active loudspeaker at Prolight & Sound 2011, continuing the success of JBL’s flagship product for its iconic powered portable speaker collection. A direct replacement for the EON515, the EON515XT was engineered for durability, high performance and ease of use. The new EON515XT offers increased input sensitivity, a lowering noise floor than its predecessor, and user selectable EQ. The entire system has been optimized for peak performance and enhanced audio precision.

“In the development of our PRX600 Series we’ve learned and implemented quite a few things that enhanced system performance,” said Richard Ruse, JBL Director of Marketing for Portable PA. “We knew we could do the same for the EON515XT and quite frankly, we couldn’t wait to do it. Through amplifier optimization and restructuring of the gain stages, we’ve increased the maximum SPL from 129 dB to 132 dB. We’ve made the system quieter when idling and re-voiced the system for a more even spectral balance. I think it’s the most musical EON we have ever built.”

The 2-way EON515XT incorporates a JBL 2414H high-frequency neodymium compression driver and a 15-inch JBL 265F-1 Differential Drive® dual-voice-coil woofer perfectly matched to a proprietary Crown® Class D amplifier. The system has been re-voiced from previous models for better clarity and frequency balance and now delivers a stout 132dB maximum SPL. “We’ve raised the bar dramatically,” noted Ruse.

The input sensitivity has been increased by 10dB to accommodate keyboards, musical instruments, drum machines and lower output sound reinforcement and DJ mixers. The EON515XT now offers user-adjustable EQ with individual bass and treble controls and a simplified 3-channel mixer configuration—an especially beneficial live performance feature that allows users to plug in multiple instruments and microphones.

Built to take the rigors of the road, the JBL EON515XT has been restyled for discretion with a tough, molded black enclosure, black metal grille, black JBL badge, and charcoal EON grille logo. The EON515XT can be pole-mounted on a subwoofer or tripod stand using its 36 mm pole-mount socket, used in a floor monitor position or flown using its integrated M10 suspension points. It offers two 1/4-inch TRS inputs, one combination XLR/TRS input and an XLR loop-through output for connecting another EON speaker, recording device or for routing to an external device. Weighing just 32.5 pounds, the EON515XT features multiple grip points designed for comfort, safety and balance.

HARMAN Showcases JBL Professional EON210P Complete Portable PA System at Prolight & Sound 2011

Building on a successful launch in January, HARMAN is featuring the JBL Professional EON210P Portable PA system, a complete powered system that is compact, ultra-lightweight and simple to use.

“Our new EON210P makes it easy to enjoy great sound almost anywhere. It’s ideal for live music, schools, churches, presentations, parties or anywhere you need clear, powerful sound,” noted Richard Ruse, JBL Director of Marketing for Portable PA. “And because it’s so intuitive you don’t need to be an audio pro to use the EON210P—
you can be up and running in just a few minutes.”

The JBL EON210P includes two 10-inch, 2-way speakers, an 8-channel powered stereo mixer with four digital effects, two 15-foot speaker cables and a convenient storage compartment for microphones and accessories. The mixer and storage compartment attach to the rear of the speakers, allowing for ease of movement when transporting the system. At a total weight of just 33 pounds, the EON210P is 20 pounds lighter than most other package PA systems in its class.

The EON210P can accommodate multiple microphones, instruments, portable music players and other audio sources. Channels 1–4 include XLR/1/4-inch combination connectors, individual Bass and Treble controls and an effect send, channels 5-6 have a pair of 1/4-inch stereo and a pair of stereo RCA jacks, and channels 7–8 have a 3.5mm stereo jack. The mixer also features a 30V phantom power supply for use with condenser microphones, 1/4-inch TRS and RCA stereo output jacks for connection to recording devices or for external routing, in addition to a dedicated 3.5mm headphone jack.

Although compact, the EON210P packs plenty of sonic punch, thanks to its 300-watt-peak stereo amplifier and high-efficiency 2-way speakers, each with a 1.5-inch neodymium compression-driver tweeter and 10-inch high-excursion woofer. The EON210P can deliver 124dB peak system output and each speaker provides smooth, even coverage over a 100º x 60º listening area. The EON210P’s speakers can be placed on a floor or table, or pole-mounted using the speakers’ 36mm pole-mount socket.

HARMAN’s AKG WMS 40 MINI Wireless Microphone System Simplifies Smart Transmission, Debuts At Pro Light And Sound

Following the success of the WMS 40 Pro series wireless microphone system, HARMAN’s AKG proudly debuts its WMS 40 MINI at Pro Light and Sound 2011.  With vocal and instrumental systems sharing the same brilliant sound and ease of use qualities, WMS 40 MINI provides High Definition Audio Performance (HDAP) technology to ensure the best possible transmission and sound for users.

Providing the smallest and lightest pocket transmitter in its class, the AGK WMS 40 MINI can also be used with AKG miniature microphones, utilizing its robust mini XLR connector.  The rugged, handheld HT40 MINI transmitter offers a reliable dynamic microphone capsule with cardioid polar pattern protected by an all metal microphone head shell and pop filter.

“HARMAN’s AKG is on a constant mission to provide the most effective and reliable technology to the market and the WMS 40 mini is the latest piece of AKG ingenuity, providing audio professionals reliable equipment for an unbelievable price,” states Thomas Umbauer, product marketing manager – PPA, AKG.  “WMS 40 will be a great wireless microphone system for any on-stage performer.”

All transmitters in the WMS 40 MINI operate for 30 hours off a single AA battery; ensuring performers are constantly transmitting with little worry of running out of power during a performance.  The output gain from the ¼” / 6.3mm jack output is variable through the volume gain control and the switched mode power supply is powered via 110-240V.  Also included in the set are United Kingdom, European Union and United States power adapters.

The WMS 40 MINI system will be available end of April at a suggested MAP price of $99.

HARMAN Debuts AKG’s Latest DMS700 V2 System, DMS 700 Hardware And Software Upgrade at Musikmesse

Taking the next level in reliable professional audio transmission, HARMAN’s has launched AKG’s DMS700 V2 digital wireless microphone system.  With a 512 Bit encryption, low 3.5 latency and the new DPT700 bodypack, DMS700 V2 offers artists and engineers absolute confidence in performance with a reliable, easy-to-use wireless component. 

DMS 700 V2 improves the link quality and increases the working range of the transmitters and receivers to allow for more freedom in arranging anything from lecture halls in universities to houses of worship; live performances on tour to broadcast operations. 

Users with the original DMS 700 wireless system can easily update their units through a software and hardware update.  The free software update includes the 512 Bit encryption, AES EBU output and 0.5 ms improved latency, improved link quality and range improvements and output gain menu with a bargraph and ability to deactivate autolock.  For approximately €299, the hardware upgrade ups the latency analog output by 1 ms, increases the DPT 700 microphone input gain 0, +10 and +20 dB and increases headphone output level 24 dB.

“HARMAN’s AKG DMS700 V2 is the next step in our pursuit of the perfect, flawless audio signal transmission,” stated Wolfgang Fritz, product marketing manager – tour sound, AKG.  “V2 offers the audio professional ease of use, quick setup and reliable operation in this demanding industry, even in the most challenging environments.  We are happy to offer our dedicated artists the DMS700 V2 so their audiences receive nothing but the best, clearest sound.”

DMS700 V2 is available at the following suggested retail prices:  DSR 700 Receiver, €1849; DPT700 Bodypack Transmitter, €899; DHT700/D5 Handheld Transmitter with D5 Capsule, €899, DHT700/D7 Handheld Transmitter with D7 Capsule, €1,029; and DHT700/C5 Handheld Transmitter with C5 Capsule, €999.

HARMAN Unveils First Professional Midbass And Woofer Products With Selenium

Highlighting the successful addition of HARMAN’s Brazil-based loudspeaker production company Selenium, the company debuts its latest Midbass and Woofer products during Pro Light + Sound. Selenium’s 6W16P 6-inch Midbass, 8W16P 8-inch and 10W16P 10-inch Woofers reproduce sound with high fidelity and great efficiency for the ultimate performance in professional audio.

Available in eight and 16 ohms (Ω), the W16P series is constructed with an aluminum frame and wire voice coil, a non-pressed long fiber cellulose cone, cloth surround and push-on terminals.  The latest models are ideal for integration into line array systems, portable PAs and speaker monitors. 

“HARMAN’s Selenium presents an opportunity for an even more powerful global presence in the professional audio world and the W16P series underscores the quality of product coming out of the Brazilian market,” said Alan Leider, marketing manager, HARMAN Brazil.  “The Midbass and Woofers provide users with the reliability expected from HARMAN, backed by the design ingenuity of the emerging South American manufacturing market.”

The 6W16P, 8W16P and 10W16P, respectively boast a resonance of 125, 95 and 66, frequency response of 90-4,000, 80-5,000 and 70-4,000 at 10 dB and a net weight of 2,700 grams, 3,720g and 4,920g. 

“Launching our first line of loudspeakers under the HARMAN family name is a great accomplishment for Selenium,” stated Rodrigo Kniest, country manager, Selenium.  “We look forward to providing audio professionals with reliable, quality performance.”

For more information on Selenium and the W16P series, please visit http://www.seleniumloudspeaker.com.

HARMAN’S Soundcraft Digital Console Range Expands Further With Introduction of Si Compact 32

Already a massive success worldwide with its Si Compact 24 and 16 models, the HARMAN Soundcraft Si Compact range expands with the release of the Si Compact 32, capable of delivering 40 inputs to mix, while maintaining the no-compromise power-packed DSP functionality of its smaller brothers.

The Si Compact features 14 main busses (all with dynamics, delays and BSS graphic EQs), four matrix buses, four dedicated FX buses, four full-time Lexicon effects engines and a range of option cards to interface with other systems such as Aviom, CobraNet, AES/EBU and MADI.

All Si Compact models can connect via MADI to the new Compact Stagebox, adding remote connectivity to these great value digital mixers.

“We believe that this very cost-effective, powerful mixer will be a natural choice for larger install or medium tour sound and house of worship systems,” said Keith Watson, Marketing Director, Soundcraft Studer.

For additional information, contact:
Travis McGee
Definition Branding & Marketing
(212) 660-2555 x24
Travis.mcgee@definitionbam.com

HARMAN’S Soundcraft and AKG Combine to Make Wireless Mic Monitoring in the Mixer a First

Every engineer has been there. The radio mics check out fine on the RF Tech’s laptop, but that’s before the talent walks onto the stage. Reception black spots, drained batteries, accidental mutes--anything can happen once the show gets underway.

Thankfully, HARMAN’s Soundcraft and AKG now make the FOH engineer’s life easier. Now it’s possible for the first time to monitor the status of any HARMAN HiQnet™-compatible AKG radio mic directly from the Soundcraft Vi Series console surface, courtesy of VM2 (Vistonics Microphone Monitoring). VM2 provides real-time visual displays of battery life, RF status, mic muting and internal clipping directly on a channel strip on the Vistonics™ screen, so it’s possible to see a problem long before you hear it, right there on the relevant channel--with expanded information instantly available just by touching the screen.

System configuration couldn’t be more straightforward, and uses Harman’s proprietary HiQnet network--simply plug in the mics, patch them to the related console channels, and you’re done. You can even identify the relevant mic receiver in the rack by pressing the Locate button, causing the receiver front panel display to flash.

It all adds up to much more efficient workflow and one less thing for the hard-pressed engineer to worry about.

VM2 will be available for all Soundcraft Vi Series consoles in V4.5 software, including Vi1, Vi2, Vi4 and Vi6.

Compatible AKG Wireless mic systems are WMS 4000, WMS 4500 and DMS 700 (optional HUB 4000Q HiQnet Ethernet interface required).

For additional information, contact:
Travis McGee
Definition Branding & Marketing
(212) 660-2555 x24
Travis.mcgee@definitionbam.com

SOUND.COM Fields Massive HARMAN JBL VERTEC® Line Array System For National Games in India

After successfully executing the audio for the Commonwealth Games 2010 in Delhi, large event speciality firm SOUND.COM was contracted to provide the live audio systems for the Opening and Closing Ceremonies at the 34th Indian National Games at the Ranchi Stadium in Jharkhand. Working with event production house Core Networks and live production company Cineyug Group, SOUND.COM delivered an advanced audio solution based around HARMAN JBL VERTEC® line arrays and Soundcraft digital mixing consoles.

The Closing Ceremonies at the Indian National Games included approximately 7,000 athletes marching in front of an audience of nearly 45,000 people. Following an air display, entertainment included Indian musicians, Bollywood stars, a laser show, a fire dance and a special appearance by popular artist Katrina Kaif. There was also a sub-event titled 'Welcome Kerala' — since this will be the location of next year’s event — with over 300 performers from that region performing.

The main PA system at both ceremonies consisted of JBL VERTEC VT4889, VT4888 and VT4887 line array loudspeakers with VT4880 fullsize arrayable subwoofers, powered by Crown I-Tech HD12000 amplifiers. 

The primary VERTEC loudspeaker positions each comprised a single VT4880 fullsize subwoofer and either three VT4889 fullsize line array elements or VT4888 midsize line array elements, distributed across the stadium. VIP seating areas featured hangs of six VT4887 compact line array elements with a VT4880 subwoofer accompanying each array. In addition, JBL AC26/28 enclosures were used as fill speakers for podium-area monitoring.

SOUND.COM also fielded a Soundcraft Vi6 digital console, with a monitor node rack receiving audio microphone and line signals from the artists on stage and providing audio outputs to the amplifiers. Ease of use by multiple operators and fiber optic snakes running between the stage and FOH racks made the Vi6 a logical choice for an event such as this, says SOUND.COM, with all microphone signals being split to FOH, Monitors and Broadcast.

“I am very proud at the way our team members executed this project — with veteran engineers like Sunil, Gilroy and Yusuf working in conjunction with newer staff like Jason, Arvind and Dheeraj,” said Warren Dsouza, Managing Director and Founder of SOUND.COM. “They have successfully completed a major audio production while the company was also busy handling other projects at the same time. Our client was more than satisfied with the result.”

For more information on SOUND.COM, please visit http://www.online-sound.com

For additional information, contact:
Travis McGee
Definition Branding & Marketing
(212) 660-2555 ext. 24
Travis.mcgee@definitionbam.com

Story Sound Takes HARMAN JBL VERTEC® Subcompact Line Arrays on Tour With Royal Netherlands Air Force Orchestra

Netherlands-based Story Sound has embarked on a theater tour with the Royal Netherlands Air Force Orchestra, using a HARMAN JBL VERTEC® subcompact line array system. According to Michael Story, who owns the rental company with his brother Egbert, the system is perfect for the sub-1,000-seat capacity venues the Orchestra will be playing at between February and May to present its themed orchestral music program, “Tribute To Michael Jackson.”

Although the company has worked with JBL loudspeakers for its top-tier client projects for many years, the VERTEC subcompact line arrays had not been released in time for use on last year’s Orchestra tour. However, as soon as the system was available, Michael Story couldn’t wait to use it. “We tested the new VERTEC subcompact line arrays against numerous other systems,” he noted. “They won hands-down due to their power, fidelity and sonic clarity.”

When it came to prepping the Orchestra production, Story Sound designed a scalable system, using a larger configuration at venues such as the Chassé Theater in Breda, where the tour opened. The tour is carrying 32 VT4886 subcompact full-range line array elements and 12 VT4883 subcompact arrayable subwoofers, mounted on multi-box dollies for fast load-in. Michael Story explained, “For most venues we field 12 VT4886 elements per side and ground stack four. But for the larger theaters, such as the Chassé, we increase this to 16 VT4886 elements per side.”

“We have found there is greater dynamic range with the VT4886 compared with other systems we tried, and the clarity in the low end is amazing,” Story continued. “It provides a massive difference, offering very high fidelity and enormous power from a small footprint.”

Meanwhile, Story Sound also evaluated different digital mixing platforms for the tour before selecting Studer Vista 5SR consoles for use by FOH engineer Remko Luijten (and backup Wibo Vermeulen), and the two monitor engineers, Ger Arts and Taco Peut.

“Although the other desks we evaluated were set up for live music, the whole sound team simply prefers the Studer sound—it is just wonderful,” he said.

To accommodate the inputs from a 55-piece brass band, two similar mix environments have been provided for both the FOH and monitor positions. “Both systems are configured with similar DSP and five MADI inputs and sometimes the orchestra rehearses with just a monitor board—so there is no need to build up the whole FOH rack,” Story concluded.

For more information on Story Sound, please visit www.storysound.nl

For additional information, contact:
Travis McGee
Definition Branding & Marketing
(212) 660-2555 ext. 24
Travis.mcgee@definitionbam.com

HARMAN Lexicon® Expands Software Suite with PCM Native Total Bundle

In a move that brings more of HARMAN Lexicon’s classic PCM algorithms to plug-in users, Lexicon announced the introduction of its PCM Native Effects Plug-In Bundle and the PCM Native Total Bundle. The new software packages bring additional classic and new Lexicon algorithms to native plug-ins that will add a wealth of inspirational new sounds to a user’s DAW that are not available anywhere else.

The PC- and Macintosh®-compatible PCM Native Effects Plug-In Bundle is designed to work with popular DAWs like Pro Tools and Logic, as well as with any other VST, Audio Unit or RTAS-compatible host.

The PCM Native Effects Plug-In Bundle incorporates classic Lexicon algorithms including:

•    Dual Delay – Including: slap-back echo, tape echo and much more – all with complete control over delay time, mix, repeat and other parameters.

•    Random Delay – Builds upon the capabilities of Dual Delay with more voices and four LFOs (Low Frequency Oscillators) that control delay time with both familiar waveforms as well as random values and input levels.

•    Chorus/Flange – The available chorus, flanger and long multivoice delay enable everything from traditional flanger sounds to flangers that play far behind the beat for out-of-this-world effects.

•    Resonant Chords – This unique mode, first introduced in the Lexicon PCM70, allows multiple delay voices to be tuned to resonate on specific notes.

•    Pitch Shift – A multitude of mono and stereo pitch-shifting capabilities are available, from pitch correction in a mix to standout special effects.

•    Multivoice Pitch Shift – This is a multivoice delay algorithm with an independent pitch shifter on each voice. It can function as anything from a voice thickener, to multiple delays that can shift up or down while locked to tempo, to a “Seasick Room” preset that must be heard to be believed.

•    Stringbox - The all-new Stringbox algorithm provides the user with 88 virtual strings resonating according to the audio in. Several tuning and panning options are available, along with a virtual keyboard and randomizer, giving users the ability to create never-before-heard chords, melodies and room sounds.

The Lexicon PCM Native Effects Plug-In Bundle is Native only, and requires iLok2 authorization. It will be available May, 2011 and will be offered in three different options.

• PCM Effects $999 US MAP
• PCM Total Bundle $1999 US MAP   (PCM Reverb and PCM Effects)
• PCM Total Bundle Upgrade $599 US MAP (Upgrade for previous owners of PCM Reverb)

Lexicon is a unit of HARMAN International Industries, Incorporated (www.harman.com).

Real Ethernet Backbone Pays Interoperability Dividend As HARMAN Crown Audio Debuts “Powered By Crown” Apple® iPad Control Application At Prolight & Sound 2011

Underscoring the comprehensive integration value of its long-term commitment to a standards- based Ethernet backbone for its winning amplifier lineup, HARMAN Crown Audio today announced the addition of the “Powered By Crown” iPad/iPhone App, designed to provide users with enhanced control and configuration of its amplifiers. The new application can be deployed to control and monitor amplifiers by setting the basic control panels on an amplifier or handle a complete setup through HARMAN HiQnet™ System Architect™.

The new application benefits both touring professionals and integrators as it can be used to control numerous lines of Crown amplifiers including I-Tech, I-Tech HD, CTs, and Macro Tech I Series amplifiers. Users can instantly connect by plugging their amplifiers into a wireless router. The app can be deployed on two, four and eight channel amplifiers. Users can now create a custom control panel in HiQnet System Architect, save it and directly import it onto the app using iTunes. Sound engineers now also have full capability to setup, troubleshoot, and monitor systems remotely.

“Building amplifiers that can operate on an Ethernet network provides us with unlimited expansion opportunities and the addition of an iPad application couples our industry-leading amplifier technology with control and monitoring capabilities that make system control infinitely simpler,” stated Marc Kellom, Director, Marketing for Crown.

A strategic long-term commitment to Ethernet by Crown means that users have access to everything that is based on the technology. Its speed, price point, superior reliability, and wide deployment as a fundamental make it the best choice for enhancing the capabilities of amplifiers on a network.

Inputs, routing, load monitoring, metering, thermal conditions and levels are all controllable through the app. Crown’s unique commitment to Ethernet technology for cost efficiency and seamless integration makes this application simple to deploy and make it possible for both legacy and future Crown products to offer the same compatibility with the iPad/iPhone application. 

This application will also be compatible with the iPod Touch and is now available on Apple’s iTunes store.

For additional information, contact:
Philip Weiss
Definition Branding & Marketing
(212) 660-2555 ext. 23
Philip.weiss@definitionbam.com

HARMAN’s AKG Relaunches HSC And HSD Headset With Automatic Mute Function, Reinventing Broadcast Communication During Musikmesse

With a continued focus on improving the quality of performance in professional audio/video markets, HARMAN’s AKG has unveiled the latest additions to its professional headset line at Musikmesse – the condenser microphone models HSC 171 and HSC 271 and dynamic microphone lines HSD 171 and HSD 271.  Ideal for broadcast engineers, sports and news commentators, voice over and recording artists, the latest line meets the high demand for efficient and reliable equipment in the industry with seasoned AKG ingenuity.  All four headsets are on exhibit at Musikmesse 2011 at Hall 8.0, Stand 32.

“HARMAN’s AKG HSC and HSD headsets incorporate features that have been directly requested by professional users, and offer excellent comfort, optimum ambient noise reduction and outstanding audio quality,” said Thomas Stubics, product marketing manager – recording and broadcast, AKG.  “We’ve designed the HSC and HSD’s with comfort and usability in mind and each set will offer reliable service across the board.”

All four models have a closed-back earpiece design for high ambient noise attenuation and signal isolation. The HSC 271 and HSD 271 are circum-aural (full-size) and the HSC 171 and HSD 171 are supra-aural (on ear) designs. All have a detachable cable – if a cable becomes defective under the stress of day-to-day use, it can be quickly replaced without any tools.

Each headset has a flexible microphone arm that moves through a 270-degree arc and automatically mutes the mic as it’s moved up, eliminating the need for a mute button. The HSC 271 and HSD 271 also feature automatic headphone muting. The microphone can be worn to the left or the right of the wearer’s mouth, and the microphone is shock mounted to attenuate mechanical noise and protect the capsule from damage.

All the headsets are compatible with a choice of optional available cables and connector types, for use in the studio, broadcast booth or on the field, with consoles, computers, camcorders, intercoms or other devices.

The HSC 271, HSC 171, HSD 271 and HSD 171 all come with a windscreen and an additional pair of velvet ear pads.

The headsets are currently available at the following suggested retail prices: HSC 271, $249; HSC 171, $229; HSD 271, $249; HSD 171, $229.

For additional information, contact:
Seth Buchwalter
Definition Branding & Marketing
(212) 660-2555 x 20
seth.buchwalter@definitionbam.com

HARMAN’s AKG C 414 XLS and C 414 XL II Earn METAlliance Certification

 Underscoring its continued effort to provide reliable professional-grade recording and live sound microphones to customers around the world, HARMAN’s AKG has been awarded two METAlliance certifications for both its C 414 XLS and C 414 XL II microphones.  The C 414 XLS and C 414 XL II each offer nine pickup patterns, combined with its proven reference quality, leading-edge technology and state-of-the-art components, to accurately detail acoustic instruments and vocals.

Alongside platforms for research and development, standardization and education, the METAlliance works closely with manufacturers to evaluate and certify products that offer the highest levels of quality in the recording chain. To date, only a handful of products have achieved this accolade.

“HARMAN’s AKG HSC and HSD headsets incorporate features that have been directly requested by professional users, and offer excellent comfort, optimum ambient noise reduction and outstanding audio quality,” said Thomas Stubics, product marketing manager – recording and broadcast, AKG.  “We’ve designed the HSC and HSD’s with comfort and usability in mind and each set will offer reliable service across the board.”

The METAlliance, founded by Chuck Ainlay, Ed Cherney, Frank Filipetti, George Massenburg, Phil Ramone, Elliot Scheiner and Al Schmitt, is comprised of a group of globally-recognized, award-winning audio engineers and producers who have been deeply involved in establishing techniques and technical standards, which are the foundation of modern music recording.

“AKG 414's have been a mainstay in my recording arsenal my entire career,” commented Cherney.  “The new 414's have upped the ante.  Being able to choose and place a microphone and not have to reach for an equalizer is simply the best.”

Scheiner remarked, "I recently tested the new AKG-414's on acoustic piano and as drum overheads. I found them to be beautiful and transparent.  I'm positive they'll work in a multitude of situations."

“The new AKG C 414 mics are just great,” stated Schmitt, a 24-time nominee and 11-time GRAMMY® Award winner.  “So far, I've found them to give me exceptional results with piano and guitar.”

For more information on the AKG C 414 XLS and C 414 XL II, please visit http://www.akg.com.  For information on METAlliance, visit http://www.metalliance.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.


For additional information, contact:
Seth Buchwalter
Definition Branding & Marketing
(212) 660-2555 x 20
seth.buchwalter@definitionbam.com

HARMAN HiQnet Performance Manager™ Software Opens New Chapter In Application-Engineered Functionality For Touring and Performance Venue Sound

At Prolight + Sound 2011, HARMAN Professional announced the introduction of its HiQnet Performance Manager™ software, a highly-refined user interface that facilitates the design of touring and live performance venue sound reinforcement systems. Designed especially for touring and theatrical sound engineering, HiQnet Performance Manager is an application-specific iteration of the category-leading HARMAN HiQnet System Architect 2 connectivity and control software application for professional-grade audio system integration.

“In touring, time is money and Performance Manager dramatically streamlines the system design, setup and tuning process, allowing the JBL VerTec® System Engineer to achieve a higher level of performance with more consistent results on a daily basis from venue-to-venue”, explained Paul Bauman, Director of Tour Sound Product Application and Application Engineering, JBL Professional.

HiQnet Performance Manager provides a comprehensive, step-by-step workflow that directly corresponds to real-world system configuration, taking the workflow paradigm introduced in System Architect 2 to a higher level of functionality for any live performance audio application. It is fully integrated with JBL’s Line Array Calculator II loudspeaker configuration and acoustic modeling software. The user begins by loading templates of the speaker arrays used in the system, and then runs Line Array Calculator II for each array as part of the initial sound design task of determining how many and which type of loudspeakers are required to cover a given venue. For each array, Performance Manager automatically loads the passive VerTec or powered VerTec DrivePack® DPDA line array configuration into the main application workspace – the first of many automated design processes native to the software application. Loudspeakers can also be manually loaded into the templates if desired.

Once the user defines the required amplifier parameters for the passive loudspeakers within the arrays, Performance Manager automatically loads the correct number of Crown Audio VRACK or other user-determined amplifier racks into the audio system. The software then associates the amplifier outputs with the bandpass crossover inputs for the selected array and programs the amplifiers with the correct JBL preset data, as well as gain shading and JBL Line Array Control Panel equalization parameters that are determined in JBL’s Line Array Calculator II as part of the modeling process to optimize sound pressure level and frequency response over the defined audience geometry.

“HiQnet Performance Manager greatly simplifies loudspeaker preset management as well as power amplifier networking, grouping, monitoring and control. It is the ideal complement to the Crown Audio® VRACK turnkey power amplifier rack solution for JBL VerTec line array systems and the automated generation of pre-configured control panels combined with a tablet-friendly, highly-intuitive user interface will be a huge timesaver for the touring sound engineer”, added Brian Pickowitz, Market Manager, Crown Audio International.

Representations of the bandpass inputs for each loudspeaker section are overlaid onto the arrays, enabling the user to easily visualize the array configuration, whether JBL DrivePack-powered or driven by external Crown Audio power amplifiers.  Performance Manager software also significantly simplifies system networking configuration – the user can simply drag and drop devices discovered on the network onto the pre-configured devices within the Performance Manager workspace to synchronize all addressing and parameter values.

In addition, the Performance Manager graphical interface provides embedded control panels for array calibration, time alignment and system EQ which utilize input section digital signal processing resources available in either Crown I-Tech HD power amplifiers or JBL DrivePack-powered loudspeakers with DPDA digital audio input modules. Input attenuation, equalization, delay settings and bandpass controls are all readily-accessible directly within the main application workspace along with flexible grouping and comprehensive solo / mute functionality for system testing.

Once system tuning is complete, Performance Manager’s Show Mode display is optimized for the actual live performance offering appropriate adjustment control ballistics for equalization and dedicated monitoring interfaces for levels, speaker loads, thermal conditions and AC power requirements.  The workspace for all stages of Performance Manager’s workflow has a common design motif, with monitoring functions overlaid on top of the same loudspeaker bandpass representations within the workspace, making visualization easier and more consistent across various workflow screens.

HiQnet Performance Manager is ultimately a product of Harman’s ongoing commitment to develop application-specific versions of the HiQnet® platform, addressing the day-to-day tasks of audio professionals in a broad range of markets. “By comprehensive analysis of the workflow of audio professionals in touring applications, HiQnet Performance Manager provides an enhanced productivity tool unlike anything else available,” summarized Adam Holladay, Senior Market Manager, HARMAN Professional System Development and Integration Group.

HiQnet Performance Manager is on exhibit in a dedicated demonstration area at Prolight + Sound 2011 at Exhibition Centre Frankfurt, Location 8.0, F32 (6 – 9 April, 2011).

HARMAN HiQnet® is the world's first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. HARMAN HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across Harman’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, HARMAN Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.


For additional information, contact:
Daniel O’Connell
Definition Branding & Marketing
Daniel.oconnell@definitionbam.com
(212) 660-2555 Ext. 12

HARMAN’s AKG WMS 470 Wireless Microphone System Reinvents Live Sound At Musikmesse

Setting the stage for the next level in wireless live performance, AKG today introduces its WMS 470 wireless system at Musikmesse 2011.  Designed for complete ease of use, WMS 470 incorporates a vast number of upgrades from previous AKG lines and delivers outstanding performance and reliable operation to users.

WMS 470’s new automatic frequency setup function immediately finds and displays all available channels, making the system ideal for less experienced users to operate. Before opening a channel, the pilot tone function will prevent unwanted startup noise – the receiver will only open the audio if the pilot tone is detected.

“AKG engineers have worked tirelessly to ensure WMS 470 was the absolute best system for our customers,” said Wolfgang Fritz, product marketing manager – tour sound, AKG.  “We completely understand the troubles live sound professionals face in the line of fire and with WMS 470, we help relieve these tensions with the most advanced technology that’s also simple to manage.”

WMS 470 operates up to 16 channels simultaneously within the same frequency band and up to 48 channels by using multiple frequency bands. The transmitters are powered using a single alkaline, lithium or Ni-MH rechargeable battery, providing up to 14 hours of use with lithium batteries. The WMS 470 handheld microphone has a built-in dipole antenna to ensure reliable transmission with 50 mW output power, even if the user covers the antenna with their hand.

“Our 400 Series has become one of the most successful wireless systems on the market and the WMS 470 continues that lineage,” continued Fritz.  “With WMS 470, artists and engineers from live music, tour sound, house of worship, educational and corporate environments will have a reliable, yet robust technology at their fingertips.”

The WMS 470 is available in a variety of configurations for live music, instrumental, sports and presentation use including handheld, headworn and lavalier mic options. Packages include the WMS 470 D5 and C5 handheld sets, the WMS 470 Instrumental set, the WMS 470 Sports set and the WMS 470 Presentation set.

The WMS 470 wireless microphone system will be available April 2011 at a suggested retail price of € 449 to € 529.

For additional information, contact:
Seth Buchwalter
Definition Branding & Marketing
(212) 660-2555 x 20
seth.buchwalter@definitionbam.com

Deep Purple Keyboardist Don Airey to Perform Live at HARMAN Stand at Prolight & Sound

Deep Purple keyboardist Don Airey will be appearing at the HARMAN stand at the Prolight & Sound show in Frankfurt on Thursday, April 7. Airey will perform live through a HARMAN audio system at 2:00 PM and 4:00 PM

A member of Deep Purple since 2001, Airey has almost 200 album credits to his name and has been associated with acts as talented and diverse as Cozy Powell’s Hammer, Colosseum II, Andrew Lloyd Webber, Ritchie Blackmore’s Rainbow, Ozzy Osbourne, Whitesnake, Jethro Tull and Electric Light Orchestra.

“We’re thrilled to have Don appear at the HARMAN stand at this year’s Prolight & Sound show,” says Keith Watson, Marketing Director, Soundcraft Studer. “We invite everyone to see Don perform and to check out the latest digital console offerings from Soundcraft!”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.

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For additional information, contact:
Travis McGee
Definition Branding & Marketing
(212) 660-2555 x24
Travis.mcgee@definitionbam.com

HARMAN’s Hardwire® SP-7 Stereo Phaser Effects Pedal for Guitarists Now Shipping

HARMAN’s HardWire, a leading manufacturer of guitar pedals, is now shipping its SP-7 Stereo Phaser effects pedal. The SP-7 is a versatile effects pedal that offers seven phaser types based on popular new and vintage designs, including two-stage, four-stage, modern, boutique, 10-stage, envelope, and dynamic phaser pedals.

The new SP-7 features controls for speed, depth, modify, and phaser type, as well as an indicator LED and tap-tempo switch for setting the phaser’s effects modulation speed during a live performance.

The SP-7 also includes HardWire’s trademark extreme-performance features like true bypass and high-voltage power supply rails. It also offers true stereo inputs and outputs, allowing for stereo or mono connectivity and dramatic spatial phasing effects.

“With the introduction of the SP-7 we are continuing to expand the HardWire line of pedals to provide guitarists with the most comprehensive set of effects available anywhere. The SP-7 Stereo Phaser offers the ultimate combination of new and vintage phaser effects at an attractive price,” stated Rob Urry, Vice President and General Manager, Harman Signal Processing.

Each HardWire pedal also features an assortment of tour-worthy accessories, including the green gaffer’s tape common to pro pedal boards, Stomplock™ knob guards to maintain pedal settings and a hook and loop pad to securely fasten the pedal to a pedalboard.

The SP-7 is currently available at an MSRP of $189.95.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.

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HARMAN Hardwire® HT-6 Polyphonic Tuner is Now Shipping

HARMAN’s HardWire, a leading manufacturer of guitar pedals, is now shipping its HT-6 Polyphonic Tuner. The new HT-6 is a tuner for guitarists and bassists that can be used to tune all six strings of an instrument simultaneously.  Based on technology from recently acquired 3dB Research, a music technology company with extensive expertise in music and voice processing, the HT-6 makes tuning instruments faster and easier easy by letting the musician simply strum all the strings at once, and view the ‘string’ display readout to see which strings are in or out of tune.

The HT-6 Polyphonic Tuner is a floor pedal that features six rows of LED indicators, one for each string. The LED display matrix represents the six strings of a guitar or the strings of a bass. Two buttons on the HT-6 Tuner’s top display panel are used for selecting display modes (Mode) and tuning references (Tuning).  The multicolored LEDs provide an easy to see indication of which strings are sharp or flat (red), almost in tune (green) or in tune (blue).

The HT-6 also features individual guitar and bass LEDs that indicate whether the Guitar or Bass display mode is being used. The Custom LED will light when the Drop D tuning reference is selected. In addition, the HT-6 displays the name of the individual note as an individual string is tuned.

The HT-6 can also be used as a standard single string tuner. The HT-6 is powered by a 9-volt DC battery, or an optional external Harman PS200R DC power adapter. The HT-6 can also power up to six other 9VDC powered pedals on a pedal board when used with an optional DC power adapter and a power chain cable.

“The already impressive lineup of HardWire pedals is now even better with the availability of the HT-6 Polyphonic Tuner.  We designed the HT-6 with the goal to make tuning easier and faster than ever and users can now take advantage of this great addition to the HardWire family,” stated Rob Urry, Vice President and General Manager, Harman Signal Processing.

Each HardWire pedal also features an assortment of tour-worthy accessories, including the green gaffer’s tape common to pro pedalboards, and a precut hook and loop pad to mount the pedal to a pedalboard.

The HT-6 is currently available at an MSRP of $139.95.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 11,800 people across the Americas, Europe and Asia, and reported sales of $3.5 billion for the twelve months ended December 31, 2010. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.



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